Stephanie Sims remembers the Sundays she spent in Holly Grove. She’d drive 90 account to wash, blow-dry and silk-press her grandmother’s beard every few weeks for about a decade.
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Sims was the alone being her grandmother trusted with such a appropriate task.
She told that adventure with a smile aftermost anniversary at the Mosaic Templars Cultural Center. Sims helped abbey the Little Rock museum’s new exhibit, “Don’t Blow My Crown,” which examines the history, adorableness and array of atramentous women’s hair.
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The exhibit, which runs through August, is afflicted by a adaptation of Proverbs 16:31: “The age-old arch is a acme of glory, if it be begin in the way of righteousness.”
Sims wrote her thesis, It’s Growing on Them: Atramentous Hair’s Fight for Amusing Acceptance, while advancing a master’s amount in accessible history at the University of Arkansas at Little Rock. As the exhibit’s bedfellow curator, Sims wrote the argument that complements the artifacts and artwork.
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Historically, atramentous women were pressured to actor white women’s beard to be accustomed in able and amusing settings, Sims said. Accustomed atramentous hair, for women and men, was and sometimes still is advised “unkempt” and subjected to ridicule, she said.
“So often, African-American women are banal and criticized for their adroitness back it comes to their style,” said Quantia Fletcher, the museum’s abettor director.
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Fletcher, wwears her beard “natural,” acceptation she doesn’t use actinic straighteners, remembered a affair area a man told her she’d never accept been able to “walk into a allowance attractive like that” bristles years ago. Sims said that recently, her beard was rummaged through by an airport screener.
Big-box food rarely agitated beard articles for atramentous women until recently, the women said. Back they were available, the articles were abandoned in a abstracted aisle, labeled article like “ethnic beard care,” Sims said.
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Many hotels accommodate shampoos and conditioners alone for white people’s hair, Fletcher said, which “makes you feel like maybe you’re beneath than, or you don’t matter.”
And white bodies accept asked or attempted to blow their beard too abounding times to count, which is aweless and an aggression of claimed space, Sims and Fletcher said.
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Despite assiduous judgments and stereotypes placed on atramentous hair, “Don’t Blow My Crown” cherishes whatever anatomy that beard takes, Fletcher said.
“It is an addendum of yourself,” she said. “So you should be accustomed to abrasion it any way that you feel.”
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Every allotment in the display is angry to Arkansas in some way. Fletcher said one of her favorites is a alloyed bottle account of a mother whovers over her daughter’s arch with
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